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Wie Kange

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After finishing middle school, Tange moved to Hiroshima in to attend high school. It was here that he first encountered the works of Swiss modernist, Le Corbusier.

His discovery of the drawings of the Palace of the Soviets in a foreign art journal convinced him to become an architect.

Although he graduated from high school, Tange's poor results in mathematics and physics meant that he had to pass entrance exams to qualify for admission to the prestigious universities.

He spent two years doing so and during that time, he read extensively about western philosophy. Tange also enrolled in the film division at Nihon University 's art department to dodge Japan's drafting of young men to its military and seldom attended classes.

In Tange began the tertiary studies he desired at University of Tokyo 's architecture department. He studied under Hideto Kishida and Shozo Uchida.

His graduation project was a seventeen-hectare acre development set in Tokyo's Hibiya Park.

After graduating from the university, Tange started to work as an architect at the office of Kunio Maekawa. During his employment, he travelled to Manchuria , participating in an architectural design competition for a bank, and toured Japanese-occupied Jehol on his return.

He developed an interest in urban design, and referencing only the resources available in the university library, he embarked on a study of Greek and Roman marketplaces.

He was awarded first prize for a design that would have been situated at the base of Mount Fuji ; the hall he conceived was a fusion of Shinto shrine architecture and the plaza on Capitoline Hill in Rome.

The design was not realised. In , Tange became an assistant professor at the university and opened Tange Laboratory.

In , he was promoted to professor of the Department of Urban Engineering. Tange's interest in urban studies put him in a good position to handle post war reconstruction.

In the summer of he was invited by the War Damage Rehabilitation Board to put forward a proposal for certain war damaged cities.

He submitted plans for Hiroshima and Maebashi. The Hiroshima authorities took advice about the city's reconstruction from foreign consultants, and in Tam Deling, an American park planner, suggested they build a Peace Memorial and preserve buildings situated near ground zero , that point directly below the explosion of the atomic bomb.

Tange was awarded first prize for a design that proposed a museum whose axis runs through the park, intersecting Peace Boulevard and the atomic bomb dome.

The building is raised on massive columns , which frame the view along the structure's axis. The district is mainly devoted to business.

The project of the Centro Direzionale dates back to It was designed in by Tange. The layout includes 18 blocks of buildings, with high-rises up to meters.

There are office buildings as well as residential flats. The Center is meant to accommodate most, if not all, of the administrative offices of the city of Naples, such as the new Hall of Justice.

It also includes a pedestrian zone at ground level with shops, restaurants and hotels. There is an underground parking facility with escalators running up into the middle of the large pedestrian concourse, an area adorned with fountains, benches, greenery and a church.

Work on the Peace Center commenced in In addition to the axial nature of the design, the layout is similar to Tange's early competition arrangement for the Greater East Asia Co-Prosperity Sphere Memorial Hall.

In the initial design the Hiroshima Peace Memorial Museum was dominated by adjoining utility buildings, which were linked to it by high-level walkways.

Tange refined this concept to place the museum prominently at the centre, separate from the utility buildings only one of which was subsequently designed by him.

In addition to architectural symbolism, he thought it important for the design to centre around the building that houses the information about the atomic explosion.

The museum is constructed from bare reinforced concrete. The primary museum floor is lifted six metres above the ground on huge piloti and is accessible via a free-standing staircase.

The rhythmical facade comprises vertical elements that repeat outwards from the centre. Like the exterior, the interior is finished with rough concrete; the idea was to keep the surfaces plain so that nothing could distract the visitor from the contents of the exhibits.

The Peace Plaza is the backdrop for the museum. The plaza was designed to allow 50 thousand people to gather around the peace monument in the centre.

Tange also designed the monument as an arch composed of two hyperbolic paraboloids , said to be based on traditional Japanese ceremonial tombs from the Kofun Period.

In Tange and the architectural journalist and critic Noboru Kawazoe were invited to attend the reconstruction of the Ise Shrine.

Normally the reconstruction process was a very closed affair but this time the ceremony was opened to architects and journalists to document the event.

The ceremony coincided with the end of the American Occupation and it seemed to symbolise a new start in Japanese architecture.

In when Tange and Kawazoe published the book Ise: Prototype of Japanese Architecture , he likened the building to a modernist structure: an honest expression of materials, a functional design and prefabricated elements.

Although the hall has been called one of his finest projects, [16] it drew criticism at the time of its construction for relying too heavily on tradition.

Tange's own home, designed in and completed in , uses a similar skeleton structure raised off the ground as the Hiroshima Peace Museum; however, it is fused with a more traditional Japanese design that uses timber and paper.

The house is based on the traditional Japanese module of the tatami mat, with the largest rooms designed to have flexibility so that they can be separated into three smaller rooms by fusuma sliding doors.

The house is topped with a two-tier roof. Kazuo Shinohara 's house at Kugayama is remarkably similar in its design, although it is built with steel and has a simpler rhythm in its facade.

The fortress-like town hall in Kurashiki was designed in and completed in When it was constructed it was situated on the edge of the old town centre connecting it with the newer areas of the town.

Kurashiki is better known as a tourist spot for its old Machiya style houses. Letztes mal hat man uns auch ein Datum genannt und dann waren die Dinger selbst 1 Monat danach noch nicht da.

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